PROGRAM NOTES Op. 20 - Chicago Symphony Orchestra.
Strauss was to come to know Mozart’s Don Giovanni thoroughly during his conducting years at the Munich Court Opera and later cited it in an essay as an illustration of his favourite composer’s astonishing emotional range. His model here, however, was not that version of the Spanish legend.
The literary hero Don Juan has been portrayed by several playwrights and composers over the last few centuries. Among the works created on this subject is Richard Strauss's symphonic tone poem Don Juan. This work is one among several of Strauss's programmatic pieces. Although the work did n.
Don Juan’s is a historical womanizer who rebels against God and morality. So, it appears a womanizer exists every generation. Ordinarily, the character Don Juan mocks relationships also the sanctity of marriage. Additionally, Don Juan enjoys breaking up relationships for conquest and sport.
PROGRAM NOTES by Phillip Huscher Richard Strauss Born June 11, 1864, Munich, Germany. Died September 8, 1949, Garmisch, Germany. Don Juan, Op. 20 Strauss composed Don Juan in 1888 and conducted the first performance on November 11 of that year in Weimar.
Composed 1888. First performance: November 11, 1889, Weimar, Germany. Weimar Opera Orchestra, cond. Richard Strauss. It’s difficult to overstate the historical importance of Richard Strauss’ Don Juan. With this piece, the composer created a new musical genre: the tone poem. Since before Mozart’s innovative opera overtures.
Listening Guide: Richard Strauss’ Symphonic Poem Don Juan 1. Strauss’ Don Juan is a hugely exciting piece with which to open a program. It is approximately 17 min. long, and can be enjoyed simply for its energy, its recurring dominant melodies, its ever-shifting moods and its remarkable orchestration.
Don Juan by Lord Byron: Summary and Critical Analysis The first canto of Don Juan contains basically the introduction to the main character Don Juan, besides some story by way of introducing his parents and his first love affair.
Don Juan, Op. 20, is a tone poem in E major for large orchestra written by the German composer Richard Strauss in 1888. The work is based on Don Juans Ende, a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau after the Don Juan legend which originated in Renaissance -era Spain.
Richard strauss don juan op 20 analysis essay. October 3, 2018. Traditional family essay with authority. Beginning of an essay criticism dissertation binding in newcastle house or flat essay chores citing an essay mla court cases (football birthday parties essex).
Don Juan was a familiar public figure in the early nineteenth century. The idea of using Don Juan as a centralizing character in an episodic poem may have been suggested to Byron by his immensely successful Childe Harold's Pilgrimage, a discursive, descriptive and reflective poem that is held together by the character of Childe Harold.
Don Juan is a man who is known for being able to arouse the desires of women and to love every one he meets. This Don Juan can be viewed, however, as a loosely disguised biography of Byron. Lord Byron's father, Captain John, has ancestors that go back as far as the Buruns in the time of William the Conqueror. (tags: essays research papers).
Don Juan, a mock-epic poem written in ottava rima, is permeated with Byronic philosophy. Its episodic plot, narrated in first person by its author, tells the story of young Juan, who, victimized.
Don Juan is a comedy performed in five acts. It was written by Moliere and first performed at the Theatre du Palais-Royal in 1665. Moliere played the part of Sganarelle, Don Juan’s valet and moral compass.
